Posted by Anne M on Wednesday, Feb 8, 2017
Selina Peake doesn’t have a lot of options when her father, a professional gambler, is killed by a stray bullet in a Chicago gambling parlor. This being the turn-of-the-century, Selina, armed only with an education and enough money for two dresses (one in burgundy cashmere), decides to become a school teacher and takes a position in the Dutch farming community of High Prairie just outside of the city. Let’s just say she isn’t used to the rural culture. But it is her newness and her novel ideas (she is very well read on farming techniques) that catch the eye of Pervus DeJong and they marry.
But Edna Ferber’s So Big is not the story of Selina’s romance. This is no marriage plot. It is the story of her drive to make her farm profitable after Pervus’s death and the consequences of her success on her relationship with her son, Dirk. How can a woman, who can’t even vote, build a successful vegetable business when all the farmers around her are barely making ends meet? What are her hopes and dreams for her son? What will he make of his life?
This is the first book I have read by Edna Ferber and I loved it. I appreciated Selina’s resolve and her stubbornness, but I also admire her love of learning and curiosity. Although this is definitely a story of American exceptionalism —one of those “pick-yourself-up-from-your—bootstraps” tales—it doesn’t feel like one. So Big explores conflicting values, generational clashes, and living during an era of phenomenal social change. Ferber’s writing is clear and fresh, transcending many of the novels of the early twentieth century. If you enjoy Willa Cather, put So Big on your reading list.
I also have to share this piece from The New Yorker’s “The Talk of the Town” from the September 22, 1928 issue:
About the Author
Anne Mangano has worked for the Iowa City Public Library since 2008, serving as the Collection Services Coordinator since 2013. In this position, she oversees ICPL's collection, including the selection, cataloging, processing, repair, and removal of materials, including the library's digital collections. Anne holds a Bachelor of...
“Held” is a little like a literary puzzle. The narrative is organized in generational fragments; but “organized” isn’t quite the right word. Each chapter is connected with the others by a thread—a child, a grandchild, a spouse, a mother--advancing or in some cases, retreating through the 20th century. Each chapter gives you a little more understanding of the family as a whole. It is fitting that we are first introduced to a photographer, John, just back from the trenches in 1917 to find that his photographs contain the ghosts of his subjects. It’s a little like a metaphor for how this book develops. Anne Michaels’s prose shimmers. -Anne M