Black History
From these roots : my fight with Harvard to reclaim my legacy
Lanier, Tamara, 1962- author.
342.730873 /Lanier
Black History, Nonfiction, Biographies, History
"Tamara Lanier grew up listening to her mother's stories about her ancestors. As Black Americans descended from enslaved people brought to America, they knew all too well how fragile the tapestry of a lineage could be. As her mother's health declined, she pushed her daughter to dig into those stories. "Tell them about Papa Renty," she would say. It was her mother's last wish. Thus begins one woman's remarkable commitment to document that story. Her discovery of an eighteenth-century daguerreotype, one of the first-ever photos of enslaved people from Africa, reveals a dark-skinned man with short-cropped silver hair and chiseled cheekbones. The information read "Renty, Congo." All at once, Lanier knew she was staring at the ancestor her mother told her so much about-Papa Renty. In a compelling story covering more than a decade of her own research, Lanier takes us on her quest to prove her genealogical bloodline to Papa Renty's that pits her in a legal battle against one of the most powerful institutions in the country, Harvard University. The question is, who has claim to the stories, artifacts, and remnants of America's stained history-the institutions who acquired and housed them for generations, or the descendants who have survived? From These Roots is not only a historical record of one woman's lineage but a call to justice that fights for all those demanding to reclaim, honor, and lay to rest the remains of mishandled lives and memories"--
A matter of complexion : the life and fictions of Charles W. Chesnutt
Chakkalakal, Tess, author.
ON ORDER BOOK
Black History, Nonfiction, Biographies, History
"A biography of Charles Chesnutt, one of the first Black authors to write for both Black and white readers. In A Matter of Complexion, Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered "mixed race." He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin. Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry"--
This is a person I wasn't familiar with until reading the reviews for the book, and his story is so intriguing. A man who could have passed as white during a time when that would have opened many doors, but instead chose to remain in his Black community as a teacher and then writer, his story deserves to be told. -Candice
Racialism and the media Black Jesus, Black Twitter, and the first Black American president
Venise T. Berry
Black Lives Matter, Black History, Diverse Characters, Read Woke, Nonfiction, Political
"Racialism and Media: Black-ish, Black Jesus and the First Black American President is an exploration of how the nature of racial ideology has changed in our society. Yes, there are still ugly racists who push uglier racism, but there are also popular constructions of race routinely woven into mediated images and messages. This book examines selected exemplars of racialism moving beyond traditional racism. In the Twenty-First century, we need a more nuanced understanding of racial constructions. Denouncing anything and everything problematic as racist or racism simply does not work, especially if we want to move toward a real solution to America's race problems. Racialism involves images and messages that are produced, distributed, and consumed repetitively and intertextually based on stereotypes, biased framing, and historical myths about African American culture. These images and messages are eventually normalized through the media, ultimately shaping and influencing societal ideology and behavior. Through the lens of critical race theory chapters examine issues of intersectionality in Crash, changing Black identity in Black-ish, the balancing of stereotypes in prime-time black male and female roles, the power of Black images and messages in advertising, the cultural wealth offered through Black Twitter, biased media framing of the first Black American President, the satirical parody of Black Jesus, contemporary Zip Coon stereotypes in film, the problematic popularity of ghettofabulous black culture, and finally the evolution of black representation in science fiction"
Before watching the doc, read the book! How are negative depictions of race portrayed and what can be done about it? Curious how the film will take such a broad subject and capture it in a short doc! Racialism in the Media was written by Iowa professor Venice Berry. Her brother, also in Iowa City, Steve Toriano Berry made a documentary to accompany it. This event will take place at the Library as part of the 2024 Iowa City Book Festival: https://www.icpl.org/events/52476/icbf-24-film-screening-racialism-and-media -Katie
Torn apart : how the child welfare system destroys Black families--and how abolition can build a safer world
Dorothy E. Roberts
362.7 /Roberts
Black Lives Matter, Black History, Nonfiction
An award-winning scholar exposes the foundational racism of the child welfare system and calls for radical change. Many believe the child welfare system protects children from abuse. But as Torn Apart uncovers, this system is designed to punish Black families. Drawing on decades of research, legal scholar and sociologist Dorothy Roberts reveals that the child welfare system is better understood as a 'family policing system' that collaborates with law enforcement and prisons to oppress Black communities. Child protection investigations ensnare a majority of Black children, putting their families under intense state surveillance and regulation. Black children are disproportionately likely to be torn from their families and placed in foster care, driving many to juvenile detention and imprisonment. The only way to stop the destruction caused by family policing, Torn Apart argues, is to abolish the child welfare system and liberate Black communities.
Reading this for our community book discussion here on 2/29/2024! -Jason
Above ground : poems
Clint Smith
811.6 /Smith
Black Lives Matter, Black History, Nonfiction, Poetry, Literary Nonfiction
Clint Smith's vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith's lyrical, narrative poems bring the reader on a journey not only through the early years of his children's lives, but through the changing world in which they are growing up--through the changing world of which we are all a part.
A beautiful and healing collection of poems from Clint Smith (author of "How the Word Is Passed"), reflecting on the ups and downs of parenthood, how it has changed him and other epiphanies that come with it. Sprinkled with both the small happy memories and the bursts of grief that can come with the vicissitudes of life, loss and trauma. -Annie
Black Bottom saints : a novel
Alice Randall
FICTION Randall Alice
Fiction, Historical Fiction, Black History
In the black-owned-and-operated Kirkwood Hospital, Joseph "Ziggy" Johnson reflects on his life. From the Great Depression through the post-World War II years, Ziggy had been the pulse of Detroit's famous Black Bottom. A celebrated gossip columnist for the city's African-American newspaper, the Michigan Chronicle, he was also the emcee of one of the hottest night clubs, where he rubbed elbows with the legendary black artists of the era. In his hospital bed, Ziggy curates his own list of Black Bottom's venerable "52 Saints," local heroes whose unstoppable ambition, love of style, and faith in community made this black Midwestern neighborhood the rival of New York City's Harlem. -- adapted from jacket
This was an enlightening and uplifting read. The story of jazz-era Detroit, told through the lives of some of its most mesmerizing and affecting Black residents. The book begins with the narrator, Ziggy, recounting what he calls the "Caramel Camelot," the area and world of Detroit where Black families had migrated to, and having found solid employment in the burgeoning auto industry, made their homes in the neighborhoods where they could buy houses and support enterprises (ie, jazz clubs, schools, hospitals, stores, restaurants, etc.) run by their people and for their people. It's a book that shows the reader what once was, what's been lost, and just possibly, what could be again. -Candice
Red at the bone
Jacqueline Woodson
FICTION Woodson, Jacqueline
Black Lives Matter, Black History, Literary Fiction, Diverse Characters
"Two familes from different social classes are joined together by an unexpected pregnancy and the child that it produces. As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place"--Adapted from jacket.
This was a beautiful read. It packs so many different feelings, perspectives, and atmospheres into one relatively short book. This is not one to miss! -Heidi K
We are each other's harvest : celebrating African American farmers, land, and legacy
Natalie Baszile
630.973 /Baszile
Black History, Black Lives Matter, Nonfiction
"In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people's connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers' personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The Returning Generation--young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations."--
An absolutely fascinating exploration of African American connection to land past, present and future. I loved the acknowledgment of historical truths and hopes for restorative futures in this series of essays, poems and photography. -Victoria
A little devil in America : notes in praise of Black performance
Hanif Abdurraqib
791.09 /Abdurraqib
Black Lives Matter, Black History, Music, Nonfiction
"A Little Devil in America is an urgent project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critiques, and praises performance in music, sports, writing, comedy, grief, games, and love"--
Looking forward to reading this one! He's a poet, essayist, and cultural critic that has been a Visiting Professor at the Iowa Nonfiction Writing Program as well as taken part in past Mission Creek Festivals. -Jason
Tom Waits
Matt Mahurin
779.2 /Mahurin
Black Lives Matter, Black History, Gardening, Political
"A collection of portraits of musician Tom Waits, the result of a 30-year collaboration with photographer and illustrator Matt Mahurin This book is a testament to the unique collaboration, going back three decades, between the photographer and illustrator Matt Mahurin and the musician Tom Waits. Having shot magazine portraits, album covers, and music videos of Waits, Mahurin was inspired to resurrect 100 dormant film negatives as a jumping off point to explore his own surreal, poetic, and occasionƯally dark vision. The images vary from traditional porƯtraits to ones that capture Waits in concert--but the majority are imagined scenes in which Waits is more muse than musician. In addition to the diverse images, the book includes a foreword by Waits, an essay by Mahurin on their longtime collaboration, and 20 original paintings, drawings, photographs, and digital images inspired by Waits's song titles."--Publisher's website.
This is a riveting read; with essays that document black legacies to American land linking past, present African American stewards and hopes for the future -Victoria
This is a fascinating story that melds historical acts of racism and exploitation with present-day conversations about who owns what, who gets to tell the story, and what people are owed. -Candice