Literary Nonfiction
Plunder : a memoir of family property and Nazi treasure
Menachem Kaiser
940.5318 /Kaiser
Nonfiction, Literary Nonfiction, History, Religion, Political
When Kaiser takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland, he finds himself on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery-- that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex-- leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Here Kaiser questions: What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? -- adapted from jacket
Sea state : a memoir
Tabitha Lasley
BIOGRAPHY Lasley, Tabitha
Literary Nonfiction, Nonfiction, Memoir, Adventure
"A stunning and brutally honest memoir that shines a light on what happens when female desire conflicts with a culture of masculinity in crisis In her midthirties and newly free from a terrible relationship, Tabitha Lasley quit her job at a London magazine, packed her bags, and poured her savings into a six-month lease on an apartment in Aberdeen, Scotland. She decided to make good on a long-deferred idea for a book about oil rigs and the men who work on them. Why oil rigs? She wanted to see what men were like with no women around. In Aberdeen, Tabitha became deeply entrenched in the world of roughnecks, a teeming subculture rich with brawls, hard labor, competition, and the deepest friendships imaginable. The longer she stayed, the more she found her presence had a destabilizing effect on the men--and her. Sea State is on the one hand a portrait of an overlooked industry: "offshore" is a way of life for generations of primarily working-class men and also a potent metaphor for those parts of life we keep at bay--class, masculinity, the transactions of desire, and the awful slipperiness of a ladder that could, if we tried hard enough, lead us to security. Sea State is on the other hand the story of a journalist whose professional distance from her subject becomes perilously thin. In Aberdeen, Tabitha gets high and dances with abandon, reliving her youth, when the music was good and the boys were bad. Twenty years on, there is Caden: a married rig worker who spends three weeks on and three weeks off. Alone and in an increasingly precarious state, Tabitha dives into their growing attraction. The relationship, reckless and explosive, will lay them both bare"--
This book is in my selection area, and I found my interest piqued each time I came across a review for it. It's one of those "under the radar" reads--worthy of "best of" rankings but not explosively viral like Educated or Atomic Habits. The author's narrative writing style allows a reader to (sea) breeze through the book. Read it if you're in the mood for a true story about living a life in search of something more. -Melody
Smalltime : a story of my family and the mob
Russell Shorto
364.1092 /Shorto
Nonfiction, Literary Nonfiction, True Crime, Biographies
"Family secrets emerge as a best-selling author dives into the history of the mob in small-town America. Johnstown, Pennsylvania, a city "in its brawny postwar prime," is where "Little Joe" Regino and Russ Shorto build a local gambling empire on the earnings of factory workers for whom placing a bet--on a horse or pool game, pinball or "tip seal"--is their best shot at the American dream. Decades later, Russell Shorto grew up knowing that his grandfather was a small-town mobster, but never thought to write about him, in keeping with an unspoken family vow of silence. Then a distant cousin prodded him: You gotta write about it. Smalltime, the story of Shorto's search for his namesake, delves into the world of the small-town mob, an intricate web that spanned midcentury America, stitching together cities from Yonkers to Fresno. A riveting immigrant story, Smalltime is also deeply personal, as the author's ailing father, Tony, becomes his partner in piecing together their patriarch's troubled past. Moving, wryly funny, and richly detailed, Smalltime is an irresistible memoir by a masterful writer of historical narrative"--
Shorto takes a deep dive into his own family history, uncovering its origins in Sicily, why Pennsylvania attracted his own great-grandfather to sail across the Atlantic, and why the mob? He unearths family secret after family secret and paints a picture of an American experience. -Anne M
Brown girl dreaming
Jacqueline Woodson
jBIOGRAPHY Woodson, Jacqueline
Black Lives Matter, Read Woke, Biographies, Poetry, Literary Nonfiction, Memoir
"The author shares her childhood memories and reveals the first sparks that ignited her writing career in free-verse poems about growing up in the North and South"--
Pick this one up, especially now, even if you've read it before. Woodson's story resonates with quiet truth, resiliency, and hope. -Casey
Between the world and me
Ta-Nehisi Coates
eBOOK
Nonfiction, Literary Nonfiction, History, Memoir, Black Lives Matter, Black History
"For Ta-Nehisi Coates, history has always been personal. At every stage of his life, he's sought in his explorations of history answers to the mysteries that surrounded him -- most urgently, why he, and other black people he knew, seemed to live in fear. What were they afraid of? In Tremble for My Country, Coates takes readers along on his journey through America's history of race and its contemporary resonances through a series of awakenings -- moments when he discovered some new truth about our long, tangled history of race, whether through his myth-busting professors at Howard University, a trip to a Civil War battlefield with a rogue historian, a journey to Chicago's South Side to visit aging survivors of 20th century America's 'long war on black people,' or a visit with the mother of a beloved friend who was shot down by the police. In his trademark style -- a mix of lyrical personal narrative, reimagined history, essayistic argument, and reportage -- Coates provides readers a thrillingly illuminating new framework for understanding race: its history, our contemporary dilemma, and where we go from here"--
Added by Melody
How we fight for our lives : a memoir
Saeed Jones
eBOOK
Memoir, LGBTQ+, Literary Nonfiction, Nonfiction
"Written from the crossroads of sex, race, and power in America, How We Fight for Our Lives is a stunning coming-of-age memoir and a haunting reflection of the nation as a whole"--
Added by Melody
In the dream house : a memoir
Carmen Maria Machado
eBOOK
Nonfiction, Memoir, LGBTQ+, Literary Nonfiction
The author's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
Iowa Writers Workshop graduate -Melody
Theft by finding : diaries 1977-2002
David Sedaris
eAUDIO
Humor, Memoir, Literary Nonfiction, LGBTQ+
Shares the author's favorite diary entries, providing a look into the mind of a comic genius.
Nobody really needs me to suggest David Sedaris. But having read all his other books which blend essay, humor, autobiography, and scathing social critique, I thought this compilation of writing pulled from his diaries would seem a little old hat - sort of a "for fans only" affair. Well, I am a fan, but Theft by Finding has passages so biting and original and weird that I gasped several times while listening to the eAudio on walks during quarantine. Trademark humor is still there, but there are also parts of Theft by Finding that grabbed me by the scruff of my neck and shook me. -Heidi K
Heroines
Kate Zambreno
809.89287 /Zambreno
Literary Nonfiction, Nonfiction
I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order—pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature.”—from Heroines On the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist “wives and mistresses.” In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's “toxic girls” could devise a new feminist discourse, writing in the margins and developing an alternative canon. In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it—from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional “girl-on-girl crime” of the Second Wave of feminism—she traces the genesis of a cultural template that consistently exiles female experience to the realm of the “minor,” and diagnoses women for transgressing social bounds. “ANXIETY: When she experiences it, it's pathological,” writes Zambreno. “When he does, it's existential.” By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.
If you have any interest in the lives and work of Modernist female authors (Virginia Woolf, Zelda Fitzgerald, Jean Rhys, Anais Nin...) do yourself a favor and pick up this book! Kate Zambreno, author of the novel Green Girl, creates a fascinating work of nonfiction by braiding personal narrative and historical research. She offers fascinating analysis on how feminine creativity has been conflated with mental illness both historically and today. -Heidi K
All the Wild Hungers
Karen Babine
616.994 /Babine
Memoir, Literary Nonfiction
“My sister is pregnant with a Lemon this week, Week 14, and this is amusing. My mother’s uterine tumor, the size of a cabbage, is Week 30, and this is terrifying.” When her mother is diagnosed with a rare form of cancer, Karen Babine—a cook, collector of thrifted vintage cast iron, and fiercely devoted daughter, sister, and aunt—can’t help but wonder: feed a fever, starve a cold, but what do we do for cancer? And so she commits herself to preparing her mother anything she will eat, a vegetarian diving headfirst into the unfamiliar world of bone broth and pot roast. In these essays, Babine ponders the intimate connections between food, family, and illness. What draws us toward food metaphors to describe disease? What is the power of language, of naming, in a medical culture where patients are too often made invisible? How do we seek meaning where none is to be found—and can we create it from scratch? And how, Babine asks as she bakes cookies with her small niece and nephew, does a family create its own food culture across generations? Generous and bittersweet, All the Wild Hungers is an affecting chronicle of one family’s experience of illness and of a writer’s culinary attempt to make sense of the inexplicable.
Really beautiful language and emotionally gripping. -Melody
First, this book is beautifully written. Menachem Kaiser's grasp of language to tell a story, illustrate situations, and convey thoughts and emotions is so fluid and engaging. Second, this book is important in many ways, but also very interesting--a real nonfiction win-win. It's a slightly winding story, starting out with particular goals and desired outcomes, but as so often happens when researching and interacting history, the modern world and reality intervene, and make things a lot harder to get hold of and follow. Menachem goes where the story leads him, and the results are so strange, interesting, and profound that you couldn't have imagined some of it. This story is also full of love and learning and respect--for self, for others, for history, and for the stories that survive. -Candice