Nonfiction
Faces at the bottom of the well : the permanence of racism
Derrick Bell
305.8 /Bell
Nonfiction
The classic work on American racism and the struggle for racial justice In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism. "Freed of the stifling rigidity of relying unthinkingly on the slogan 'we shall overcome,'" he writes, "we are impelled both to live each day more fully and to examine critically the actual effectiveness of traditional civil rights remedies." With a new foreword by Michelle Alexander, Faces at the Bottom of the Well is urgent and essential reading on the problem of racism in America.
And we are not saved : the elusive quest for racial justice ; with a new appendix for classroom discussion
Derrick Bell
305.896 /Bell
Nonfiction
A distinguished legal scholar and civil rights activist employs a series of dramatic fables and dialogues to probe the foundations of America's racial attitudes and raise disturbing questions about the nature of our society.
Added by Jason
The 1619 Project : a new origin story
973.00496/Sixteen
Nonfiction
"The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
Added by Jason
Vanguard : how Black women broke barriers, won the vote, and insisted on equality for all
Martha S. Jones
324.62 /Jones
Nonfiction
"According to conventional wisdom, American women's campaign for the vote began with the Seneca Falls convention of 1848 and ended with the ratification of the Nineteenth Amendment in 1920. The movement was led by storied figures such as Elizabeth Cady Stanton and Susan B. Anthony. But this women's movement was an overwhelmingly white one, and it secured the constitutional right to vote for white women, not for all women. In Vanguard, acclaimed historian Martha Jones offers a sweeping history of African American women's political lives in America, recounting how they fought for, won, and used the right to the ballot and how they fought against both racism and sexism. From 1830s Boston to the passage of the Voting Rights Act in 1965 and beyond to Shirley Chisholm, Stacey Abrams, and Kamala Harris, Jones excavates the lives and work of Black women who, although in many cases suffragists, were never single-issue activists. She recounts the lives of Maria Stewart, the first American woman to speak about politics before a mixed audience of men and women; African Methodist Episcopal preacher Jarena Lee; Reconstruction-era advocate for female suffrage Frances Ellen Watkins Harper; Boston abolitionist, religious leader, and women's club organizer Eliza Ann Gardner; and other hidden figures who were pioneers for both gender and racial equality. Revealing the ways Black women remained independent in their ideas and their organization, Jones shows how Black women were again and again the American vanguard of women's rights, setting the pace in the quest for justice and collective liberation. In the twenty-first century, Black women's power at the polls and in politics is evident. Vanguard reveals that this power is not at all new, but is instead the culmination of two centuries of dramatic struggle"--
Added by Jason
Race for profit : how banks and the real estate industry undermined black homeownership
Keeanga-Yamahtta Taylor
363.51 /Taylor
Nonfiction
"Keeanga-Yamahtta Taylor offers a ... chronicle of the twilight of redlining and the introduction of conventional real estate practices into the Black urban market, uncovering a transition from racist exclusion to predatory inclusion. Widespread access to mortgages across the United States after World War II cemented homeownership as fundamental to conceptions of citizenship and belonging. African Americans had long faced racist obstacles to homeownership, but the social upheaval of the 1960s forced federal government reforms. In the 1970s, new housing policies encouraged African Americans to become homeowners, and these programs generated unprecedented real estate sales in Black urban communities. However, inclusion in the world of urban real estate was fraught with new problems. As new housing policies came into effect, the real estate industry abandoned its aversion to African Americans, especially Black women, precisely because they were more likely to fail to keep up their home payments and slip into foreclosure"--
Added by Jason
The color of law : a forgotten history of how our government segregated America
Richard Rothstein
973.00496 /Rothstein
Nonfiction
Added by Jason
The second : race and guns in a fatally unequal America
Carol (Carol Elaine) Anderson
323.1196 /Anderson
Nonfiction
Investigates the history and impact of the Second Amendment, how it was designed, and how it has been constructed from the start to keep African Americans powerless and vulnerable.
Added by Jason
Four hundred souls : a community history of African America, 1619-2019
973.00496 /Four
Nonfiction
"A "choral history" of African Americans covering 400 years of history in the voices of 80 writers, edited by the bestselling, National Book Award-winning historian Ibram X. Kendi and Keisha N. Blain. Last year marked the four hundredth anniversary of the first African presence in the Americas--and also launched the Four Hundred Souls project, spearheaded by Ibram X. Kendi, director of the Antiracism Institute of American University, and Keisha Blain, editor of The North Star. They've gathered together eighty black writers from all disciplines -- historians and artists, journalists and novelists--each of whom has contributed an entry about one five-year period to create a dynamic multivoiced single-volume history of black people in America"--
Added by Jason
Carving out a humanity : race, rights, and redemption
342.730873 /Carving
Nonfiction
"Carving Out a Humanity gathers some of our country's brightest progressive legal stars in a volume that illuminates the facets of the law that have continued to perpetuate racial inequality and to confound our nation at the start of a new millennium. Originally delivered as Derrick Bell Lectures in a series at NYU School of Law, begun in 1995 and running up through 2019, Carving Out a Humanity offers an unprecedented array of today's most creative and brilliant thinking on race and the law"--
Added by Jason
Racialism and the media : Black Jesus, Black Twitter, and the first Black American president
Venise T. Berry
305.896 /Berry
Nonfiction
"Racialism and Media: Black-ish, Black Jesus and the First Black American President is an exploration of how the nature of racial ideology has changed in our society. Yes, there are still ugly racists who push uglier racism, but there are also popular constructions of race routinely woven into mediated images and messages. This book examines selected exemplars of racialism moving beyond traditional racism. In the Twenty-First century, we need a more nuanced understanding of racial constructions. Denouncing anything and everything problematic as racist or racism simply does not work, especially if we want to move toward a real solution to America's race problems. Racialism involves images and messages that are produced, distributed, and consumed repetitively and intertextually based on stereotypes, biased framing, and historical myths about African American culture. These images and messages are eventually normalized through the media, ultimately shaping and influencing societal ideology and behavior. Through the lens of critical race theory chapters examine issues of intersectionality in Crash, changing Black identity in Black-ish, the balancing of stereotypes in prime-time black male and female roles, the power of Black images and messages in advertising, the cultural wealth offered through Black Twitter, biased media framing of the first Black American President, the satirical parody of Black Jesus, contemporary Zip Coon stereotypes in film, the problematic popularity of ghettofabulous black culture, and finally the evolution of black representation in science fiction"--
Added by Jason
Added by Jason